Check out the 'plagiarise' link
This was my effort, cobbled together with random books from my shelves yesterday afternoon whilst Treasure Island was on the telly. As an exercise to fathom your true interests and wants from fiction (which wasn't the original idea) it's quite revealing. I'm not sending it in by the way.
“Unbearable Disgrace In The Age of Love”
Her hair is long, black, with the density of mercury. People always say she looks proud. She doesn’t feel that way, it is only skin deep. Not everyone has the face they deserve.1 She stood up from the toilet, flushed it and went into the anteroom. She still felt on her anus the touch of the paper she had used to wipe herself.2
It was early July, but not summery. The sky bulged, pregnant with water.3 And suddenly, something unforgettable occurred: suddenly she felt a desire to go in to him and hear his voice, his words. If he spoke to her in a soft deep voice, her soul would take courage and rise to the surface of her body, and she would burst out crying.4
She runs water for him in their big, old fashioned, cast iron bath. He stretches out his pale length in the steaming water and tries to relax.5 She took his arm: he felt her against him, a warm top-heavy figure: ’And Mathieu actually desired the creature’, he thought.6 There was something studious about her appearance that made her slightly too intelligent looking to be a beauty.7 He kept warning himself not to give in to compassion, and compassion listened with bowed head and a seemingly guilty conscience.8 He is stroking her face, her neck, and she keeps her eyes closed, basking in him.9
It is the end of October, the last days of autumn. In the morning she opens the door and her car has turned white with frost. Doggedly she guns the engine. She has never much liked machines. The radio comes to life and dies in a single galvanic burst of music.10
The battery has failed and taxis, cars, minibuses, vans, motorcycles butt and challenge one another, reproach and curse her, a traffic mob mounting its own confusion. Get going. Stupid bloody woman.11
The overground is ten minutes walk through the gloom.12 She sat down, composed and gloomy.13 The engine thrums, accumulating power. Anna leans her face against the window. The glass is cold against her cheek.14 So she didn’t mean to leave him : which did not prove he was forgiven.15
Mathieu looked at his watch. ‘Twenty to eleven; she’s late.’ He did not like her to be late, he was always afraid that she might have inadvertently died. She forgot everything, she evaded herself, she forgot herself from one minute to the next, she forgot to eat, she forgot to sleep. One day she would forget to breathe and that would be the end.16 He felt his smile slide away, melt, fold over, and down on itself like a tallow skin, like the stuff of a fantastic candle burning too long and now collapsing and now blown out.17
To come at last, and more specifically, to the case of the parted lovers, who present the greatest interest and of whom the narrator is, perhaps, better qualified to speak - their minds were the prey of different emotions, notably remorse. For their present position enabled them to take stock of their feelings with a sort of feverish objectivity.18
It seemed to him that he had spent his life in a worthless and senseless manner; he retained nothing vital, nothing in any way precious or worth while. He stood alone, like a shipwrecked man on the shore.19 He trudged back up to the familiar attic. It looked very clean and very empty.20 He had sucked on his shotgun and pulled the trigger. The weapon had belonged to his father, who had put it to the same use.21
She was silent, and sat shaking her head despondently.22
‘All I can say is,’ began Anna, ‘I am his sister and I know his character, his capacity for forgetting everything,’ she made a gesture with her hand in front of her forehead, ‘that capacity for letting himself be completely carried away...’23 She walked as a somnambulist slowly down the street to its end.24
and the books I used were:
1.Tobias Hill, The Cryptographer, p8 Faber & Faber 2003
2.Milan Kundera, The Unbearable Lightness of Being, p157. Faber & Faber 1985
3.Muriel Spark, The Finishing School,p3. Viking 2004
4.Milan Kundera, The Unbearable Lightness of Being, p157. Faber & Faber 1985
5.J.M Coetzee, Disgrace, p103. Vintage 2000
6.Jean-Paul Sartre, The Reprieve, p41. Penguin 1987
7.Muriel Spark, The Finishing School, p42. Viking 2004
8.Milan Kundera, The unbearable Lightness of being, p31. Faber& Faber 1985
9.Tobias Hill, The Cryptographer, p256 Faber & Faber 2003
10.Tobias Hill, The Cryptographer, p8. Faber & Faber 2003
11.Nadine Gordimer, The Pickup, p 3.Bloomsbury 2002
12.Tobias Hill, The Cyptographer, p8. Faber & Faber 2003
13.Jean-Paul Sartre, The Age of Reason, p53 Penguin 1971
14.Tobias Hill, The Cyptographer,p9. Faber & Faber 2003
15.Jean-Paul Sartre, The Age of Reason, p74. Penguin 1971
16.Jean-Paul Sartre, The Age of Reason, p52. Penguin 1971
17.Ray Bradbury, Farenheit 451, p19. Corgi 1973
18.Albert Camus, The Plague, p63. Penguin Twentieth Century Classics
19.Hermann Hesse, Siddhartha, p66. Picador 1981
20.Jane Stevenson, Astrea, p53. Vintage 2002
21.Salman Rushdie, East, West, p125. Vintage 1995
22.Jean-Paul Sartre, The Age of Reason, p162. Penguin 1971
23.Leo Tolstoy, Anna Karenina, p82. Everyman’s Library
24.Nadime Gordimer, The Pickup, p229. Bloomsbury 2002